With Christmas fast approaching, amateur sleuth Juno Browne helps organise a Christmas Fair to raise funds for a local animal sanctuary. The event is a success, but whilst Santa is handing out presents in the fairy-lit grotto, a murder is being committed in a dark corner of the garden. Juno discovers the body of Bob the Blacksmith, found clutching a horseshoe decorated with a sprig of elder. Suspicion falls on Bob's long-suffering wife, Jackie, and on Don Drummond, with whom Bob violently quarrelled in the past. From this cloud of suspicion, Juno begins to make connections between Bob's murder and previous 'accidental' deaths, but her course is obstructed by those who insist on links to ancient folklore. Determined to take the evidence with a generous pinch of salt, Juno navigates pagan ceremonies and astrological connections that turn up yet more bodies and a deadly path to the truth.

Returning from a brief holiday, Juno Browne is relieved to find that no one has been murdered in the picturesque Dartmoor town of Ashburton while she was away. Though uncharitable friends suggest that the quiet was simply due to her absence. Just as she's settling back into her routine at the antiques shop and as domestic helper and dog walker, the brutal killing of local journalist Sandy Thomas shocks the town and Juno is swept up into a fresh murder inquiry. What was Sandy really investigating on the night she was killed? With a spate of dog kidnappings to contend with as well, the Devon countryside never felt less tranquil, and inevitably Juno's amateur sleuthing skills will be called upon once again .

With Christmas fast approaching, amateur sleuth Juno Browne helps organise a Christmas Fair to raise funds for a local animal sanctuary. The event is a success, but whilst Santa is handing out presents in the fairy-lit grotto, a murder is being committed in a dark corner of the garden. Juno discovers the body of Bob the Blacksmith, found clutching a horseshoe decorated with a sprig of elder. Suspicion falls on Bob's long-suffering wife, Jackie, and on Don Drummond, with whom Bob violently quarrelled in the past. From this cloud of suspicion, Juno begins to make connections between Bob's murder and previous 'accidental' deaths, but her course is obstructed by those who insist on links to ancient folklore. Determined to take the evidence with a generous pinch of salt, Juno navigates pagan ceremonies and astrological connections that turn up yet more bodies and a deadly path to the truth.

When Juno Browne purchases a wardrobe to stock in her fledgling antiques store, she doesn't expect to find a dead body inside. And when the man she bought it from, rascally farmer Fred Crick, is found battered to death in his blazing cottage, the hunt for a double murderer is on. Despite the police struggling to connect the two deaths, this time Juno is resolved to ignore her impulse to investigate. Until, that is, a stranger arrives who bears an uncanny resemblance to the dead man in the wardrobe. Determined to discover how his identical twin brother died and impressed by Juno's reputation in the local press as Ashburton's amateur sleuth, Henry Gillow tries to drag her into his quest to solve the mystery, with disastrous results.

On the day Juno Browne's van goes up in flames and nearly cooks a dog, Juno meets James Westershall, owner of Moorworthy Chase, a large family estate. She is invited, along with her friends from Old Nick's, to bring along their goods for sale at an upcoming garden fete. Included in the invitation is the newest and most irritating member of the Old Nick's team, Gavin. During the fete Gavin wanders off and is later discovered dead in nearby woods, apparently the victim of a bizarre accident. A police investigation ensues, but results are inconclusive and Juno has a theory of her own. As she begins to investigate, she discovers that Gavin's is not the only strange death to have occurred at Moorworthy Chase, including that of an expert researching colonies of rare bats in caves on the estate. It soon becomes clear to Juno that there is something very wrong at Moorworthy and the caves contain a dark and dangerous secret.

In the Dartmoor town of Ashburton, reluctant antique shop owner and accidental amateur sleuth, Juno Browne, has cash-flow problems. So, when the mild and gentlemanly bookbinder, Frank Tinkler, rents a room above the shop, he seems like the answer to a prayer. At home, Juno accidentally disturbs intruders and shortly afterwards, one of them falls to his death from a viaduct. Was it accident, suicide or murder? When Juno recognises his accomplice as Frank's nephew, Scott, she decides to investigate .

When Juno Browne finds a life-sized effigy floating in the River Ashburn, a note attached claims it as the work of Cutty Dyer, Ashburton's mythical blood-drinking demon. But despite Juno's instinct that this is a sign of trouble ahead, the police dismiss her find as a practical joke. Then the body of a woman is discovered by the river and it becomes clear that a killer has taken on Cutty's identity. But as suspicion falls on someone close to her, Juno finds herself drawn into solving the mystery, desperate to prove her friend's innocence. As the rain falls steadily and the level of the River Ashburn continues to rise, Juno must unmask the real identity of Cutty Dyer, or risk being swept away on a murderous tide.

Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque village of Ashburton in her trusty van ready to turn her hand to anything. Despite warnings to the contrary, she ventures into the shady world of antiques dealing when she takes on a new client, Old Nick, who has a reputation for conducting business by the back door. When Juno prevents two menacing thugs from giving Nick a beating, it's clear one of his deals has gone horribly wrong - and it isn't long before Nick is found dead. As the police search for answers starts to stall, Juno begins her own investigation. But when one of her suspects is killed and Juno is herself the subject of unwanted attention, she must piece the puzzle together before she becomes the next victim.

`Do read this book - it will refresh you if you have not come across critical psychology before. If you are already "critical", this is an excellent, up-to-date overview of the area' - THE (Times Higher Education) 'An excellent book in all respects - compulsory reading for scholars interested in a socio-political contextual analysis of complex human behaviour' - Professor David F Marks, City University, London 'The arrival of a Second Edition of this classic is an exciting event. The editors have assembled a world class array of authors to bring students to the forefront of critical scholarship today. Adding to the work's lustre are fresh new chapters on critical social issues, along with a set of new pedagogical aids. Bravo!' - Kenneth J. Gergen, Senior Research Professor, Swarthmore College The Second Edition of Critical Psychology extends the original's comprehensive and accessible critique of mainstream psychology. Fully revised, reconfigured and expanded, the Second Edition explores critical psychology's continued growth and diversification, offering practical advice, and noting significant theoretical and political dilemmas confronting critical psychologists today. While other texts focus on narrower specialties within critical psychology or on specific theoretical or methodological perspectives, Critical Psychology retains its focus on critical psychology as a whole. Key features of the new edition include: - each chapter now also includes a summary of main points, a glossary of important terms, suggested readings and Internet sites, and questions for discussion - the book's contributors - most of them new - have thoroughly updated the original chapters and provide multiple perspectives on critical psychology's core concerns - reflecting recent developments, Parts Three and Four are completely new to this edition. Part Three provides in-depth coverage of critical psychology's relevance to social justice, focusing on the issues of race, class, gender, disability, colonization/globalization, human rights/social justice in post-conflict settings, and oppression/empowerment in mental health systems. Part Four examines critical psychology practice, from theory, methodology and therapy to community organizing and the politics of resistance.

When Juno Browne returns to the gorgeous town of Ashburton after a brief holiday with her cousin Brian, she's relieved to find that no one has been murdered in her absence. But it's not long before Sandy Thomas, the local reporter, is brutally slain. And Olly, Juno's young friend, has accidentally caught the killing on camera. Property developer Alastair Dunston, with whom the victim had been having an affair, is an obvious suspect. But the police investigation cannot link him to her murder . it seems that Juno's amateur sleuthing services will be called upon once again.

`Do read this book - it will refresh you if you have not come across critical psychology before. If you are already "critical", this is an excellent, up-to-date overview of the area' - THE (Times Higher Education) 'An excellent book in all respects - compulsory reading for scholars interested in a socio-political contextual analysis of complex human behaviour' - Professor David F Marks, City University, London 'The arrival of a Second Edition of this classic is an exciting event. The editors have assembled a world class array of authors to bring students to the forefront of critical scholarship today. Adding to the work's lustre are fresh new chapters on critical social issues, along with a set of new pedagogical aids. Bravo!' - Kenneth J. Gergen, Senior Research Professor, Swarthmore College The Second Edition of Critical Psychology extends the original's comprehensive and accessible critique of mainstream psychology. Fully revised, reconfigured and expanded, the Second Edition explores critical psychology's continued growth and diversification, offering practical advice, and noting significant theoretical and political dilemmas confronting critical psychologists today. While other texts focus on narrower specialties within critical psychology or on specific theoretical or methodological perspectives, Critical Psychology retains its focus on critical psychology as a whole. Key features of the new edition include: - each chapter now also includes a summary of main points, a glossary of important terms, suggested readings and Internet sites, and questions for discussion - the book's contributors - most of them new - have thoroughly updated the original chapters and provide multiple perspectives on critical psychology's core concerns - reflecting recent developments, Parts Three and Four are completely new to this edition. Part Three provides in-depth coverage of critical psychology's relevance to social justice, focusing on the issues of race, class, gender, disability, colonization/globalization, human rights/social justice in post-conflict settings, and oppression/empowerment in mental health systems. Part Four examines critical psychology practice, from theory, methodology and therapy to community organizing and the politics of resistance.